This article focuses on aspects such as the issue of cyclicity in Uzbek poetry, the expression of the lyrical hero as a lyrical "I" in the cycle poems, and in general, the unique expression of imagery in the lyric cycles. The issue of the lyrical "I" was studied on the example of the poems of artists such as Zulfiyakhanim, Halima Khudoyberdiyeva, Rauf Parfi. Emphasis is placed on aspects such as the unique aspects of the cycle poems, the features of their formation, and the manner of expression of the lyrical hero in the poems included in the lyric cycle.

"Fahrenheit 451," a dystopian classic by Ray Bradbury, has enthralled readers all around the world with its terrifying portrayal of a society in which information is suppressed and books are outlawed. However, there are particular and difficult difficulties in translating this foundational work into other languages. The work requires a careful balancing act between cultural awareness and linguistic accuracy because of its combination of future ideas, social critique, and lyrical language.

This article describes the period and personality of the People's Poet of Uzbekistan Aydin Khojieva. The war theme in the poet's lyrics is analyzed, as well as his poems describing the tragedy of the 70s and 80s of the last century. Poems written in a given period are methodologically analyzed and their specific aspects are studied.

В данной статье рассматриваются темы вести и вестника в произведениях малых лирических жанров, адресах и рубаи Хазрата Навои. Результаты исследований, проведенных по теме вести и вестника в произведениях малых жанров, представленных в диванах Алишера Навои, вошедших в сборники "Бадоеъ ул-бидоя," "Наводир ун-нихоя" и "Хазойин ул-маоний," показывают, что эта тематика проявляется только в жанре рубаи.

This article is about the lyrical novel of «The Kindness of Enemies» by Leila Aboulela. Mainly,  in the article mentioned itspublished dates,  reviews of the book. Also, it is described the life of Muslims in that centuries,   events that happened during the Caucasian War.

Abdulhamid Sulaymon o‘g‘li Cholpon (1897–1938), a prominent figure in Uzbek literature, is widely regarded as a master of lyrical and dramatic expression. His works resonate with themes of national identity, individual struggle, and existential despair. The early 20th century, marked by political upheaval and cultural transformation in Central Asia, profoundly shaped Cholpon’s literary voice. This thesis explores the psychological fracture embedded in his works and examines how despair functions as a central poetic and emotional device. Through a close reading of selected poems and prose, we analyze how despair becomes both a response to socio-political trauma and a tool for inner exploration.

This article explores the shared imagery in the poetry of Abdulla Oripov, the beloved poet of the Uzbek people, and Ibrayim Yusupov, the crown jewel of Karakalpak poetry. The poems of these creators from two closely related peoples are analyzed. The artistic similarities and unique features in the works of renowned Uzbek and Karakalpak writers are revealed through the examples of flower and mountain imagery in literature.

This article is devoted to the study of the genre characteristics of Uzbek poetic cycles, in particular, the genres and forms chosen for the series, their specific characteristics, the order of stabilization of poems in the finger system from the point of view of form, the issues raised in them checked for content. Also, special attention is paid to the fact that the main reason why the objects for research were selected from the series of poets of the 20th century was that perfect examples of the cycle were created during this period.

In this article, we delve into the essence of «Istiqlol Davri» literature, exploring its defining characteristics, key themes, notable storytellers, and enduring impact on Uzbek culture. Join us on a journey through the rich tapestry of stories that define this pivotal era in Uzbek storytelling

В статье рассматривается генезис термина диван и процесс литературно-исторического формирования традиций дивана. Диваны были организованы с помощью сбора лирических произведений поэтов, а турецкий диванизм развивался под влиянием арабской и персидской литературы и выработал свои собственные текстовые и идеологические требования.

In this article, we will talk about the skills of artistic translation and several successful methods used in the direction of translation. Undoubtedly, the need to translate Uzbek literature, including poetry into Russian, arose for certain historical and social reasons, and Alexander Faynberg was one of the leaders in this field. The wider the range of topics studied in Uzbek literature and its translation, the wider the scope of unexplored topics. During the reading of the article, from the point of view of translation, it is possible to know that the recreation of poetic art in the artistic translation is not only one of the necessary conditions for giving the national originality reflected in the work, but also the preservation of the artistic juice of the original, the difference in terms of achieving emotional poetic translation has been analyzed and interpreted for centuries by philologists, poets, poetic scientists, specially engaged in the issues of poetic translation, and examples of the work of these poets are presented.

In world literature, views on the science of novel genre and theory of forms are constantly updated and developed. Thoughts about this are often expressed syncretically in historical and biographical works in Eastern classical literature. In particular, in today's era of globalization, the study of the literature and culture of a certain period on the example of the works of individual creators, the tradition and innovation manifested in their work, the uniqueness of genres and forms, individual style and skill, man and era, historical truth and artistic image and so on is gaining importance in the study of theoretical issues.

This article analyzes the literary-aesthetic, historical, and textual aspects of Boburnoma, a masterpiece of Uzbek classical literature. Special attention is given to the contributions of literary heritage researcher Saidbek Hasanov, who prepared a critical scholarly edition of the work. Hasanov approached the text creatively, highlighting its stylistic features, aesthetic depth, and making it accessible to modern readers. The article also explores Babur’s lyrical poetry, emphasizing his expression of human emotions, love, and moral values, and presenting his works as reflections of profound personal and philosophical insight.

The following article is about the novel ‘The Kindness of Enemies’by Leila Aboulela and analyzes the main features of the novel. The Writer’s writing style, seeing her life in the work, and also described fascinating story of the rebel of the Caucasus, Imam Samil, a 19th-century warrior who battled to defend his home against the invading Russians and united the Muslims of the region under his iconic leadership.

This article discusses the life of Alfred Tennyson and his unique style of poetry, as well as the exposition of his poems and their contribution to literary analysis and literature.

This article classifies some of the poems in the “Gulshani Dilafgor” collection.  The study of lyrical works in the collection of the poet “Gulshani Dilafgor” shows that Dilafgor could not avoid the themes that accompanied the poets in Uzbek classical poetry.

The article examines the multifaceted issues of national values and moral education as reflected in the poetry of Anvar Obidjon, one of Uzbekistan’s prominent contemporary poets. By exploring Obidjon’s lyrical output, the study elucidates how his poetic worldview synthesizes the themes of national identity, traditional cultural values, and ethical ideals. The article situates Obidjon’s work within the broader context of Uzbek literature and pedagogy, highlighting the poet’s role in the moral upbringing of the younger generation and the formation of national consciousness. Through a close textual analysis of selected poems, as well as a review of existing literary criticism and pedagogical theory, the research reveals that Anvar Obidjon’s poetry serves not only as an artistic manifestation but also as a vehicle for moral education, fostering respect for cultural heritage, patriotism, and universal human values.

Maqolada adabiyotda publitsistik lirikaning o'rni muhokama qilinadi, lirika bo'yicha akademik tadqiqotlar o'tkaziladi, she'riyat haqidagi ilmiy fikrlar ko'rib chiqiladi va fikr-mulohazalar beriladi.