Ushbu maqola XVII asrning boshlari ingliz madaniyatining, birinchi navbatda, adabiyot va she’riyatning ajoyib gullagan davri haqida. Bu asrning birinchi o‘n yilliklarida Shekspir o‘zining eng yaxshi dramalarini yaratdi; uning yosh zamondoshlari birin-ketin teatr faoliyatiga kelishdi; o’sha yillardagi falsafiy, axloqiy, ijtimoiy-siyosiy nasri juda qiziqarli va o‘ziga xos xususiyatlarga ega, davrning lirikasi (she’riyati) esa juda boy va rang-barangdir. XVII asrda ingliz lirikasining kelib chiqishida so‘z san’ati ustalarining ikki yirik namoyondasi – Jon Donn va Ben Jonson o‘z she’riyatini Yelizaveta davrining she’riy uslubiga qarama-qarshi qo‘ygan vakillardir. Ammo shunday shoirlar ham borki, ularning ijodi har qanday o‘zgarishlarga qaramay, asrlar davomida o‘ziga xos yangilik lazzati va shoirlar saltanatida esa shon-sharaf poydevorini saqlab kelmoqda. Ingliz she’riyati tarixida shular orasida, shubhasiz, Jon Donn dir.

Ushbu maqolada qoraqalpoq xalqining atoqli shoiri Ibroyim Yusupov she’riyatida ona yurt va xalq mavzusi chuqur vatanparvarlik va hissiyotga boyligi bilan ajralib turadi. Uning asarlarida Qoraqalpog’istonning go’zalligi, xalqning kurashi va matonati, ularni bir-biriga bog’lab turgan madaniy meros yorqin tasvirlangan. Yusupov kuchli obrazlar, metaforalar va ramziy ma’nolarni qo’llash orqali milliy o’zlikni anglash va vatanga sadoqat tuyg’usini ifodalaydi. Ushbu tadqiqot uning she’riyati tarixiy kurashlarning aks etishi va kelajak avlodlar uchun ilhom manbai bo’lib xizmat qilishini ta’kidlaydi. Bundan tashqari, ushbu maqolada uning she’riy ifodalari milliy g’urur va madaniy o’ziga xoslikni tarannum etuvchi keng qamrovli adabiy an’analarga qay darajada mos kelishi ko’rib chiqiladi. Ushbu maqolada shoirning takrorlanuvchi mavzulari va uslubiy tanlovlarini tahlil qilish orqali uning qoraqalpoq adabiyotiga ko’rsatgan doimiy ta’siriga oydinlik kiritilgan.

This article explores the shared imagery in the poetry of Abdulla Oripov, the beloved poet of the Uzbek people, and Ibrayim Yusupov, the crown jewel of Karakalpak poetry. The poems of these creators from two closely related peoples are analyzed. The artistic similarities and unique features in the works of renowned Uzbek and Karakalpak writers are revealed through the examples of flower and mountain imagery in literature.

This article discusses the role and significance of folklorisms in Uzbek poetry. The use of folklore in Uzbek poetry of the independence period, processes of stylization, and genre mutation are analyzed. The utilization of folklore in world and Uzbek literature has existed since ancient times. This process has occurred differently in various periods. Specifically, although Uzbek written literature has adopted genres, plots, meter, and rhyme from folklore, it has evolved into a mixed form based on certain principles and developed artistically. In fact, this process existed in the literature of the classical period as well, and many genres have undergone modification in conjunction with the genres of fiction.

This study examines the narrative parallels between Dante Alighieri’s Inferno from The Divine Comedy and the epic poetry of Uzbekistan, particularly focusing on the depiction of hellish realms. The paper explores how both traditions present moral and spiritual journeys, specifically their representations of the descent into hell, while also analyzing the broader societal reflections these works offer. Additionally, the study compares the treatment of Heaven and Hell in Uzbek proverbs and English aphorisms, highlighting how these cultural expressions mirror attitudes towards morality, justice, and the afterlife. By engaging with both literary traditions, this paper aims to uncover commonalities and distinctions in their moral frameworks and understandings of cosmic order.

This article provides, for the first time, a detailed description and monographic characterization of the poetry collections Milliy ash’ori Tarjimon by Bahrombek Davlatshoyev, Yangi adabiyot by Hoji Muin, and Milliy she’rlar majmuasi yoxud adab ad-din by Mulla Saidahmad Vasliy.

В этой статье мы проанализируем зарождение и развитие поэзии carpe diem, а также вклад Херрика и Марвелла в поэзию carpe diem. А мы проанализируем стихи о Carpe diem и дадим информацию о них.

Boborahim Mashrab is a great artist who brought a new spirit and unique creative breath to Uzbek classical poetry. Mashrab's poetry is distinguished by its sincerity, heavenlyness, and vitality. This poetry is also remarkable for the fact that it clearly shows the personality and fate of the real poet. In Mashrab's poems, word, tone, and image are elevated to a higher status than any other artist. In his ghazals, the word is inspired by the soul, and the meaning by the priesthood and the body. In one of the poet's ghazals, he said: "I walked restlessly in this steppe of grief with wonder." He is truly a lover-dervish in the steppe of pain, sorrow, and dreams. He moves from wonder to wonder, from wonder to truth and enlightenment.

Mazkur maqola K. Rahmonov she’riyati lingvopoetikasida vulgarizm, jargon va kakofemizlarning qo‘llanilishi masalasini o‘rganishga bag‘ishlangan. Unda adibning badiiy uslubi va nutq madaniyatidagi noan’anaviy unsurlarni qo‘llash orqali estetik ifoda erishish yo‘llari tahlil qilinadi. Vulgarizm, jargon va kakofemizlar she’riyatning o‘ziga xos mazmunini shakllantirishda, emotsional-ekspressiv ta’sirini oshirishda muhim vosita sifatida talqin qilinadi. Maqolada K. Rahmonovning she’rlaridan olingan misollar asosida bu unsurlarning ijodiy uslubga ta’siri, ularning  adabiyotida tutgan o‘rni va badiiy qiymati tahlil qilinadi. Ushbu tadqiqot vulgarizm va jargonlarning she’riy matndagi funksiyasini hamda ularning badiiy-estetik imkoniyatlarini yoritishga xizmat qiladi.

This article discusses peculiarities of phonetic stylistic devices in poetry. Examples from poetry are given in this research work and they are of great importance for learning stylistics

Данная статья посвящена исследованию структурно-семантических особенностей назывных предложений в поэтическом дискурсе 19 века. В работе анализируются ключевые аспекты, связанные с формой и содержанием назывных предложений, их роль в поэтическом тексте и специфика использования в поэзии XIX века.

The article examines the multifaceted issues of national values and moral education as reflected in the poetry of Anvar Obidjon, one of Uzbekistan’s prominent contemporary poets. By exploring Obidjon’s lyrical output, the study elucidates how his poetic worldview synthesizes the themes of national identity, traditional cultural values, and ethical ideals. The article situates Obidjon’s work within the broader context of Uzbek literature and pedagogy, highlighting the poet’s role in the moral upbringing of the younger generation and the formation of national consciousness. Through a close textual analysis of selected poems, as well as a review of existing literary criticism and pedagogical theory, the research reveals that Anvar Obidjon’s poetry serves not only as an artistic manifestation but also as a vehicle for moral education, fostering respect for cultural heritage, patriotism, and universal human values.

The article focuses on the linguocultural aspects of translating the poetry of the prominent Karakalpak poet Ibrayim Yusupov. It discusses the challenges of translation, such as conveying national imagery, metaphors, rhythm, and cultural codes. Strategies are highlighted that help preserve the aesthetic and cultural value of the original text.

This paper explores the presence of resistance elements in the poetry of Abdulla Avloniy, a prominent figure of Uzbek Jadid literature. Through thematic and stylistic analysis of selected poems, this study identifies how Avloniy utilized poetic expression to challenge colonial oppression, advocate for educational reform, and revive national identity. The research employs close reading methodology within a historical-literary context. The paper contributes to broader discourses on resistance literature in post-colonial studies by situating Uzbek poetic traditions in a global framework of literary dissent.

The article deals with the development of publicistic lyrics in the Karakalpak poetry of the period of the second half of 80’s of the XX century that is seen with its leadership features. The period and lyric character depictions are discussed profoundly and analyzed by means of practical examples. The problem is studied on the basis of analysis of a definite number of I.Yusupov’s publicistic poetry. In the article it is studied the image of the lyric character who comes across the problems concerning ecological crisis, the monoculture of cotton, nature and humanity correlation in the period of stagnation and totalitarian regime.

William Shakespeare’s poetic style is distinguished by its intricate use of rhythm, meter, and sound devices, which contribute significantly to the expressive and aesthetic qualities of his works. This study explores the role of rhythm and sound in Shakespeare’s poetry and examines the challenges associated with their reproduction in Uzbek translations. By analyzing key elements such as iambic pentameter, rhyme schemes, alliteration, and assonance, the paper identifies the linguistic and phonetic constraints that arise in translation. Special attention is given to how translators adapt Shakespearean rhythm within the phonetic and syntactic framework of the Uzbek language. A comparative analysis of selected Uzbek translations highlights strategies employed to retain the poetic essence while accommodating structural differences between English and Uzbek. The findings reveal that while some rhythmic and sound patterns can be approximated, certain nuances remain difficult to fully capture, necessitating creative solutions. This study contributes to the broader discourse on literary translation by shedding light on the intersection of poetic form and linguistic adaptation.

In this article, main differences and similarities has been studied in the examples of poetry of Robert Burns and Muhammad Yusuf. The peculiarities of the poems of both authors have been revealed according to the structure, stylistic devices and rhyming scheme.

This article explores the Turkic-language literary heritage of Ubaydulloh Khan, a prominent representative of the Shaybanid dynasty who wrote poetry under the pen name Ubaydiy. It examines the genres, thematic scope, and ideological-aesthetic features of his works, as well as their relevance today. Ubaydiy composed poetry in various classical genres such as ghazal, ruboiy, hikmat, tuyuq, qit’a, tarji’band, and noma. His works in these genres cover themes including socio-political issues, ethical-didactic messages, religious-philosophical reflections, love, and personal confessions.

This paper explores the profound impact of oral folk tradition on the poetic works of the Karakalpak poet Berdimurat Qoblanov, widely known as Berdaq (1827–1900). His poetry serves as a bridge between oral and written traditions, reflecting a deep connection to folk songs, proverbs, and legends. Through a detailed analysis of his poetic style, this study examines how Berdaq preserved and revitalized national identity, ensuring that traditional motifs remained relevant in modern literary discourse. Moreover, the research highlights how Berdaq’s adaptation of oral elements contributed to the longevity and evolution of Karakalpak literature, influencing subsequent generations of poets. By incorporating new scholarly perspectives, this paper sheds light on the cultural and artistic significance of Berdaq’s poetry in the broader context of Central Asian literary traditions.

This article discusses the artistic interpretation of the theme of homeland in the work of the famous Uzbek poet S. Sayyid. The uniqueness of his poems today is highlighted by the artistry of his poems from his first collection.

Maqolada troplarning sheriy asarlar badiiyligida tutgan o’rni o’rganilgan. Xususan, I.Yusupov poeziyasi misolida troplar keng tahlil qilingan.

This article is about the great examples of folklore, epic poetry and their schools, the history of the origins of the art of baxshi, the stages of development and its significance today.

This article examines how the cultural context of Ted Hughes’s time influenced his poetry and literary creativity. It discusses the impact of post-war Britain, English folklore, mythology, and modern literary movements on his work. Hughes’s engagement with ecological issues and his response to the literary scene, including his relationship with Sylvia Plath and the Confessional movement, are also analyzed.

The article highlights how Hughes’s poetry reflects a synthesis of historical, mythological, and environmental concerns, making him a key literary figure of his era.

В статье рассматриваются особенности использования строф — одного из важных вопросов строения песни в поэзии Ж. Избасканова. Приводятся мнения учёных по данной теме.

The images of nature used in literature is one of the most important factors in revealing writer`s own writing style, his attitude to the chosen topic, and his socio-economic values. For this reason, both writers and poets use them a lot. In this article the literary value of the word “Nature” is discovered. It also studies how and for what purpose literal sceneries have been used in Uzbek poetry for centuries by analyzing the works of famous Uzbek poets who lived at different times. The main purpose of this article is to highlight the spirit of these times through the analysis of their poems and gazelles.